Walt Disney – Content and platform powerhouse in a highly disrupted media sector
The disruptor of Pay-TV and TV, Netflix is itself now facing a serious disruptive threat. Its rise had been extraordinary, and what many may not know, early in its development Netflix approached Blockbuster Video (remember them?) to be bought out, only to be laughed off by Blockbusters arrogant executives. 3 years later Blockbuster was no more. The disruption Netflix has created is quite extraordinary. Formidable media businesses in the United States such as Comcast, Discovery Communications, Time Warner and Viacom have been under increasing stress to cope with the pace and magnitude of the disruption its wreaked as the pace of cord-cutting accelerates. This is a global phenomenon.
This is the same pace and level of disruption that occurred to the print industry. Streaming is enabling a new level of autonomy that consumers now enjoy when choosing how, when, on what, and where they view digital video content. Pay TV is increasingly under siege as it does not deliver these features. Additionally, since many pay TV subscription packages include hundreds of channels (many of them unwanted) content discovery has become difficult for consumers.
The pace of disruption is set out on the above in savage reality. In the US, cord-cutting is set to double from 2017 at 24.9m households to 2021 at 50m. Again, this trend is global.
Why not Netflix – the Disruptor with an incredible 149Mn subscribers? It’s in the numbers; since 2011 whilst revenue at Netflix increased by US$12.6 billion, this is only half the total increase in expenditure. This means Netflix has burned through nearly
US$13 billion of investors’ money since then. Thus, for the Netflix business model to actually work, subscriber revenue has to at least double as their new subscriber growth rates slow. How would you feel seeing your subscription go up by 100%?
Of course, they could also reduce content quality and range, but we all know what consumers do when faced with this advent from the Pay TV experience. Their structural headwinds are large. There is no doubt however that this new flexible way of viewing entertainment by in large pioneered by Netflix is here to stay and grow, but which one?
We believe the standout choice is not the one you might first jump to; Walt Disney. The entertainment giant has generated US$41 billion in cumulative free cash flow since 2011. The reverse you might say to the Netflix numbers over the same period.
Disney’s greatest advantage is its IP and it is best-in-class.
We also believe it is much stronger than what most investors think. Disney released the highest grossing movies of 2015, 2016, 2017 and 2018 (a record) – with 2019 also assured due to Avengers: Endgame
“Endgame” took just 11 days to reach $2 billion in sales, whereas the top-grossing movie of all time, “Avatar,” took 47 days to surpass this mark) and Star Wars: Episode IX (the sequel to 2017’s). Its substantial and successful TV type programming, content and channels are not to be underestimated either and have been extensively expanded by the Fox acquisition.
Disney had 19 of the last 35 films crossing US$1Bn in the last decade; half of those from the last three years alone. Only three have cracked $2B, two again from Disney. Nine of the ten largest opening weekends in US history also belong to Disney, as does roughly 25% of the annual box office take (again, a record). It’s good at picking winners too, considering it produces just 10-12 films from over 700+ released every year. It’s has extensive distribution and pricing power as well, a crucial aspect that this industry shares with financial services.
This dominance doesn’t factor in the hard-fought recent acquisition of 21st Century Fox, adding titles such as Avatar (the highest grossing film of all time, with sequels due in 2021, 2024 and 2025) and Deadpool (#9 in 2016 and 2018) to Disney’s IP stores. Its back catalogue is also gargantuan, and it also picks up extensive series programming from TV/Pay TV businesses complimenting its existing assets. This is a savvy strategic acquisition that leverages Disney into an unmatched content position globally.
Netflix content is strong on TV-like series, weak on movies and no sport content as any subscriber knows. Describing Disney as a content creation powerhouse is a major understatement. This applies to series shows and movies. The key to our Disney thesis is no other company can match Disney in terms of brand value or the breadth of its content monetization channels. When one considers some of the most valuable content assets Disney owns (Pixar, Marvel, Lucas Film, ABC, Nat Geo, etc.) and their ability to aggressively monetize the success of those films and shows through theme park attractions, licensed toys, and spin-off TV series in a consistent manner. As the pace of disruption in the sector continues to accelerate, Disney is likely to be a dominant force.
Streaming enjoys strong tailwinds. These two charts depict some of the primary factors of these long-run tailwinds for the streaming overall. Until Disney, Netflix has essentially had this sector to themselves.
Netflix is primarily also forced to use expensive junk-bonds for financing its operations and expansion, Disney has several core cash stream machines. This foray into streaming is not cheap, however. 21st Century Fox came with a $70Bn price tag (less whatever it gains for the Justice Dpt required sales of Fox regional sport networks). Thus, it’s likely that it will be circa 2023 before streaming posts profits for the Disney machine.
Disney has deep and extensive experience in broadcasting and programming across multiple forms of businesses that it will use to execute its streaming ambitions. Importantly it has learnt lessons from past mistakes and those of the industry. It is very much Future-Focused. The primary risk facing management in this strategic disruptive move is execution. It will be critical.
There are ‘pain-points’ Disney faces in this bold strategic move. An example is the likely reduction in gross revenues from licencing some of its massive IP content to some rivals. Its Pay-Tv units are facing destruction by streaming anyway, with Disney mindful of the lessons from Blockbuster and Kodak in failing to adjust to technology and consumer lead disruptors. To offset these revenue losses, gaining stepped subscriber growth at a reasonable subscription price will be essential.
Expect some clever product issuance from Disney and tactical asset disposals in this journey. For example, Disney now has a powerful Ace-card in the form of its Sports network - ESPN. Netflix has none and can’t afford to buy the only other contender even if it was for sale- Fox Sports. Disney will be seeking to win Netflix and other streaming customers over to its broader offer (think one stop shop), along with the sectors continued overall growth.
This image closes things out well we think. (A twitter image from Ryan Reynolds celebrating the Deadpool franchise joining Disney)
Disney has strong footprints and diversification globally in terms of sectors and geographically. We expect this to figure big in its future ‘upside surprises’ as it rides several Megatrends that Insync has identified. Naturally the rapid very short-term rise in price based on the Fox Deal is potentially overly exuberant, with many analysts cynical of its future prospects; exactly the case with most of our very successful investments at Insync seeing ahead what others do not.
Disclaimer EQT Responsible Entity Services Limited (“EQT”) (ABN 94 101 103 011), AFSL 223271, is the Responsible Entity for the Insync Global Quality Equity Fund and the Insync Global Capital Aware Fund. EQT is a subsidiary of EQT Holdings Limited (ABN 22 607 797 615), a publicly listed company on the Australian Securities Exchange (ASX: EQT). This information has bee